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Hannah Olufs's avatar

Geez Chris, I sobbed through the entire thing.

I just love your writing.

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Armand Beede's avatar

Chris Andrews: This is a truly powerful narrative, with a gift of the pen that mirrors the depth of the human heart.

How much this resembles your own or a loved one's life, I do not know, nor do I pry.

But you describe persons who, at least in your story, are fully enfleshed.

The story put me in the place of each person, sequentially, including the mom, close, loving, then distant, finally absent.

I will not judge the Mom.

You describe the 1960s, but this 77-year-old watched the Groucho-Marx show with the cigar-filled, mustachioed-marionette Duck fell, right as the contestant stumbled upon the secret word, where the ads were for two cars: The Nash and the Rambler. This was the mid-1950s.

My God, the hole in the floorboard was fun for the kids and, at the same time, a real danger!

The Mom in the story died a second, even a third death: (1) At the departure of the family; (2) Her own death; (3) The burning of her art, and, therefore, the death of all memories of her.

The father and the second wife seem to cease to exist when the girl grew up to have her own children.

Now she starts her life anew.

It may be she is a single Mom.

But she LOVES her kids in a beautiful way.

Your story is a simple narrative but with the beauty and deep insight of a great painting.

You remain one of my FAVORITES!

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